pianist #pianist Instagram Hashtag

Приходите сегодня в 20:00 в ресторан

Приходите сегодня в 20:00 в ресторан "Паруса на крыше". Обещаем завораживающий вид на исторический центр города из окна, очень аппетитную еду и, конечно, красивую музыку😊🤗 #spb #russia #saintpetersburg #kudagospb #ritavaganova #dreamteam #girls #pianist #singer #beautiful #amazing #musicians #restaurant #livemusic #живаямузыкаспб #ресторан #паруса #пианистка #певица #музыкантыспб #кудагоуспб #дуэт #кавер #красиваямузыка #красивыедевушки #красотки #воскресенье #вечер #работаем

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#throwback. with this i concluded my #student #life at the #rcm last july and now i am back in #london for more #exciting projects coming up! stay tuned and check out my #fb page for the complete #video at www.facebook.com/lancemokpiano

#hindemith #1922 #ragtime

#throwback. with this i concluded my #student #life at the #rcm last july and now i am back in #london for more #exciting projects coming up! stay tuned and check out my #fb page for the complete #video at www.facebook.com/lancemokpiano #hindemith #1922 #ragtime

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~All is possible in the way you thing it's possible 😘❤ Enjoy every moment 📷 @okaykatee 
#nice #spain #altea #enjoyeverymoment #love #music #enjoy #musiclove #amazing #beauty #beautiful #views #jump #sea #piano #pianist #pianists musician #musicians

~All is possible in the way you thing it's possible 😘❤ Enjoy every moment 📷 @okaykatee #nice #spain #altea #enjoyeverymoment #love #music #enjoy #musiclove #amazing #beauty #beautiful #views #jump #sea #piano #pianist #pianists musician #musicians

8 likes - 8 comments
My logo #lifewithkeys🎹 ❤
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The cover version of karmukilil from the movie Bachelor party has been released in my YouTube channel.
Link in my bio. 
Kindly please check out if you have time and leave your comments❤
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@shaheer_nazeer 
@vishak_vinayan 
@nikhilgeorge13 
@sharonks__ 
@himalayasandbeyond 
@el0_geo 
@harfaz_mohammed 
@shaharaz_n_manzoor

My logo #lifewithkeys🎹 ❤ . . The cover version of karmukilil from the movie Bachelor party has been released in my YouTube channel. Link in my bio. Kindly please check out if you have time and leave your comments❤ . . @shaheer_nazeer @vishak_vinayan @nikhilgeorge13 @sharonks__ @himalayasandbeyond @el0_geo @harfaz_mohammed @shaharaz_n_manzoor

22 likes - 22 comments
Messing with Glitch  a bit!
#JetMuzikTypeBeat 🎹s x 🎱🅾️🎱s

Messing with Glitch a bit! #JetMuzikTypeBeat 🎹s x 🎱🅾️🎱s

535 likes - 535 comments
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salon concert 🎻🎼
staff 💐
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ステキ空間すぎる。。。
こんなにも素敵なところで働けるなんて
貴重な経験すぎて、、、
ほんとにやばすぎて、、、💗
@yasuhisam さん
@masuda_makiko さん
本当にありがとうございます😭✨
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素敵な方の周りには素敵な方が集まってくる🥂
とてもhappyなオーラに包まれてました💐
わたしもhappy aura 放てるように. . .🌹
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#salonconcert #piano #pianist #opera #operasinger #steinway #steinwaynewyork #handmade #handmadecake #champagne #fruit #classic #concert

. salon concert 🎻🎼 staff 💐 . ステキ空間すぎる。。。 こんなにも素敵なところで働けるなんて 貴重な経験すぎて、、、 ほんとにやばすぎて、、、💗 @yasuhisam さん @masuda_makiko さん 本当にありがとうございます😭✨ . . 素敵な方の周りには素敵な方が集まってくる🥂 とてもhappyなオーラに包まれてました💐 わたしもhappy aura 放てるように. . .🌹 . . . #salonconcert #piano #pianist #opera #operasinger #steinway #steinwaynewyork #handmade #handmadecake #champagne #fruit #classic #concert

11 likes - 11 comments
【9月15日@N's-Square in石巻】
ライジングサン以来の石巻公演。
震災以降徐々に復興して来た景色が走馬燈の様に蘇る。
ここでするコンサートは特別だ…。
たくさんの仲間もお客さんとして来てくれた。
震災の曲「麗しき故郷」を弾いた時、皆が涙していた。
僕は涙を堪え、火の鳥を弾き命の光を照らす。
即興は「5年間で見た被災地の軌跡」を想いかえして…。
打上げで仲間達と大いに笑い、横浜まで車で5時間かけ直帰。 -----------------
【↓チケット購入】
http://tempei.com/?p=2015 【全国行脚ツアー】
9/24/兵庫県豊岡市, 円山川公苑美術館
9/26/鳥取県, 倉吉交流プラザ
9/27/島根県, 雲南市加茂文化ホール
9/29/岐阜市, カーザップラウジ
9/30/愛知県, カワイ名古屋
10/1/三重県四日市市, 66
10/3/三重県, 伊賀市文化会館
10/5/岩手県一関市, 東山地域交流センター
10/6/秋田市, 仙人蔵
10/7/青森市, 青龍寺
10/8/北海道北斗市, 風の丘
10/10/白老町, しらおい創造空間蔵
10/12/札幌市, カワイ札幌
10/13/南富良野町, 保健福祉センター
10/15/幕別町百年記念ホール講堂
10/20/横浜市, サーラマサカ
10/21/茨城県, 取手ウェルネスプラザ
【Europe Tour】
10/27/France, Paris
10/30/Belgium, Brussel
11/2/France, Conques
11/4/Germany, Dusseldorf, 
11/10/The Netherlands, Amsterdam
【全国行脚ツアー】
11/17/横浜市(非公開)
11/23/福岡県北九州市, 永楽寺清水分院
11/24/長崎県佐世保市, 島瀬美術センター
11/25/長崎県佐世保市
11/27/愛媛県, マツヤマ楽器 
11/28/高知県, メフィスト フェレス
11/29/宇都宮市, ヴィラデマリアージュ
12/1/茨城県, 龍ケ崎市文化会館
12/4/東京都(非公開)
12/8/東京都, 白寿ホール(指定席)
12/9~12/ハワイ, モロカイ島
12/14/大阪市, フェニックスホール(指定席)
12/15/沖縄県宜野座村, がらまんホール
12/16/沖縄県中城村, SEPTETTO
12/18/沖縄県那覇市, Kanon
#piano #concert #Classical #Jazz #Rock #ProgRock #Pianist #天平 #ピアノ #ピアニスト #コンサート #中島みゆき #糸
#旅人 #世界人 #日本 #日本人 #Japan #Japanese #全国行脚 #AllOverJapanTour
#日本全国 #寅さん
#旅行 #旅 #絶景 #Travel #Trip #View

【9月15日@N's-Square in石巻】 ライジングサン以来の石巻公演。 震災以降徐々に復興して来た景色が走馬燈の様に蘇る。 ここでするコンサートは特別だ…。 たくさんの仲間もお客さんとして来てくれた。 震災の曲「麗しき故郷」を弾いた時、皆が涙していた。 僕は涙を堪え、火の鳥を弾き命の光を照らす。 即興は「5年間で見た被災地の軌跡」を想いかえして…。 打上げで仲間達と大いに笑い、横浜まで車で5時間かけ直帰。 ----------------- 【↓チケット購入】 http://tempei.com/?p=2015 【全国行脚ツアー】 9/24/兵庫県豊岡市, 円山川公苑美術館 9/26/鳥取県, 倉吉交流プラザ 9/27/島根県, 雲南市加茂文化ホール 9/29/岐阜市, カーザップラウジ 9/30/愛知県, カワイ名古屋 10/1/三重県四日市市, 66 10/3/三重県, 伊賀市文化会館 10/5/岩手県一関市, 東山地域交流センター 10/6/秋田市, 仙人蔵 10/7/青森市, 青龍寺 10/8/北海道北斗市, 風の丘 10/10/白老町, しらおい創造空間蔵 10/12/札幌市, カワイ札幌 10/13/南富良野町, 保健福祉センター 10/15/幕別町百年記念ホール講堂 10/20/横浜市, サーラマサカ 10/21/茨城県, 取手ウェルネスプラザ 【Europe Tour】 10/27/France, Paris 10/30/Belgium, Brussel 11/2/France, Conques 11/4/Germany, Dusseldorf, 11/10/The Netherlands, Amsterdam 【全国行脚ツアー】 11/17/横浜市(非公開) 11/23/福岡県北九州市, 永楽寺清水分院 11/24/長崎県佐世保市, 島瀬美術センター 11/25/長崎県佐世保市 11/27/愛媛県, マツヤマ楽器 11/28/高知県, メフィスト フェレス 11/29/宇都宮市, ヴィラデマリアージュ 12/1/茨城県, 龍ケ崎市文化会館 12/4/東京都(非公開) 12/8/東京都, 白寿ホール(指定席) 12/9~12/ハワイ, モロカイ島 12/14/大阪市, フェニックスホール(指定席) 12/15/沖縄県宜野座村, がらまんホール 12/16/沖縄県中城村, SEPTETTO 12/18/沖縄県那覇市, Kanon #piano #concert #Classical #Jazz #Rock #ProgRock #Pianist #天平 #ピアノ #ピアニスト #コンサート #中島みゆき #糸 #旅人 #世界人 #日本 #日本人 #Japan #Japanese #全国行脚 #AllOverJapanTour #日本全国 #寅さん #旅行 #旅 #絶景 #Travel #Trip #View

19 likes - 19 comments
Rayhan

Rayhan "senyum" aransemen cover melodi by quenchels iyan lets watch and cekidot #pianist #pemula #amatiran #subhanallah #alhamdulillah #likers #like4like #likedorlike #pianocover #pianoplayer #pianomusic #mymusic #hehe #wkwkwkland

3 likes - 3 comments
Preparing for tonight’s acoustic broadcast. 💕🎵🎹 It will be something relaxing. I hope you can tune in. #music #dreamsarecomingtrue #singersongwriter #contentcreator #livestream #piano #pianist #emmyrich #songwriter #periscope #twitter #live #VIP #Gold #superbroadcaster

Preparing for tonight’s acoustic broadcast. 💕🎵🎹 It will be something relaxing. I hope you can tune in. #music #dreamsarecomingtrue #singersongwriter #contentcreator #livestream #piano #pianist #emmyrich #songwriter #periscope #twitter #live #VIP #Gold #superbroadcaster

8 likes - 8 comments
Most amazing backstage view!!! 🤩

Most amazing backstage view!!! 🤩

35 likes - 35 comments
Sundays 📚 & 🎼.
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Private library of the Iran’s former Empress Farah Diba, 📸 #museumviewstravels

Sundays 📚 & 🎼. . Private library of the Iran’s former Empress Farah Diba, 📸 #museumviewstravels

8 likes - 8 comments
Water cooler hangs with my two favorite humans ♥️

Water cooler hangs with my two favorite humans ♥️

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➡️Ďakujem skvelej @barkolova_erika_official z @tvjoj, za skvelé sprevádzanie môjho včerajšieho koncertu.
➡️Ďakujem za úžasnú atmosféru celého finálového galavečera @missstrednychskol Slovenskej republiky.

#martinkralpianist #pianist #pianoman #composer #concert #composerlife #pop #music #popmusic #showbiz #show #radiolife #radio #thankful #musicismylife #showtime #miss #slovakia #bratislava #galavečer

➡️Ďakujem skvelej @barkolova_erika_official z @tvjoj, za skvelé sprevádzanie môjho včerajšieho koncertu. ➡️Ďakujem za úžasnú atmosféru celého finálového galavečera @missstrednychskol Slovenskej republiky. #martinkralpianist #pianist #pianoman #composer #concert #composerlife #pop #music #popmusic #showbiz #show #radiolife #radio #thankful #musicismylife #showtime #miss #slovakia #bratislava #galavečer

23 likes - 23 comments
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هر وقت این عکس حسام جان❤ و میبینم ناخوداگاه یاد .
خودم در  دوران #تحصیل میفتم......📒
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ولی چون جزو شاگرد اولهای کلاس بودم هیچ دبیر و معلمی .
باورش نمیشد که خیلی از سر و صداها و خنده ها ی کلاس .
زیر سر من باشه.....ولی آخرای سال لو میرفتم....😉😅
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خیییییییلی کیف داشت....😉
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یاد اون روزا بخییییر......دوران شیرینی بود.....😍
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#حسام_نواب_صفوی #hesamnavabsafavi
#سید_حسام_نواب_صفوی #hesam_navab_sadavi
#بازیگر #actor #پیانیست #pianist #artist
#وکیل_پایه_یک_دادگستری #attorneyatlaw
#سوپراستارایران #iranianstar #bestactor#jentelman
#بازیگر_محبوبم #mylovelyactor #love #mylove
#هنرمند_محبوب_من #mylovelyartist ❤
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@hnsafavi❤

. هر وقت این عکس حسام جان❤ و میبینم ناخوداگاه یاد . خودم در دوران #تحصیل میفتم......📒 . ولی چون جزو شاگرد اولهای کلاس بودم هیچ دبیر و معلمی . باورش نمیشد که خیلی از سر و صداها و خنده ها ی کلاس . زیر سر من باشه.....ولی آخرای سال لو میرفتم....😉😅 . خیییییییلی کیف داشت....😉 . یاد اون روزا بخییییر......دوران شیرینی بود.....😍 . #حسام_نواب_صفوی #hesamnavabsafavi #سید_حسام_نواب_صفوی #hesam_navab_sadavi #بازیگر #actor #پیانیست #pianist #artist #وکیل_پایه_یک_دادگستری #attorneyatlaw #سوپراستارایران #iranianstar #bestactor #jentelman #بازیگر_محبوبم #mylovelyactor #love #mylove #هنرمند_محبوب_من #mylovelyartist ❤ . @hnsafavi❤

7 likes - 7 comments
“If you want to share your gifts with the world you can’t just tolerate yourself, you must love yourself” -Tim Ferriss
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#Steinway #SteinwayAndSons #SteinwayModelB #Piano #Pianist #Pianista #Jazz #JazzPiano #SelfLove #SelfCare #ReflectionDay #GloryDay #HaveCourage #NoteToSelf #FallSeason #Keyboardist #Musician #LiveMusic

“If you want to share your gifts with the world you can’t just tolerate yourself, you must love yourself” -Tim Ferriss . . . #Steinway #SteinwayAndSons #SteinwayModelB #Piano #Pianist #Pianista #Jazz #JazzPiano #SelfLove #SelfCare #ReflectionDay #GloryDay #HaveCourage #NoteToSelf #FallSeason #Keyboardist #Musician #LiveMusic

14 likes - 14 comments
Not the first or last time this happens. Happy fall. 🌽👁🌽

Not the first or last time this happens. Happy fall. 🌽👁🌽

27 likes - 27 comments
Exactly the mood of this beautiful rainy weather🌺🌹🍁 #beloved #bach #pianist #musician #practicing #weekend #rainy #day #grandpiano

Exactly the mood of this beautiful rainy weather🌺🌹🍁 #beloved #bach #pianist #musician #practicing #weekend #rainy #day #grandpiano

1 likes - 1 comments
Part 2: If you ask a musician to do headshots, you know they are ready for it, if you ask me. 😜 📷 @pacdidds

PS: Give @ensembleousia a follow! We have a smashing program this semester! 😍
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#musician #pianist #chambermusician #musiciansofinstagram #ensembleouisa #chambermusic #musicstudent #collaborativepianist #headshots #headshot #headshotphotography #musicianlife #pianistsofinstagram #classicalpianist #instapianist #instamusic

Part 2: If you ask a musician to do headshots, you know they are ready for it, if you ask me. 😜 📷 @pacdidds PS: Give @ensembleousia a follow! We have a smashing program this semester! 😍 • • • #musician #pianist #chambermusician #musiciansofinstagram #ensembleouisa #chambermusic #musicstudent #collaborativepianist #headshots #headshot #headshotphotography #musicianlife #pianistsofinstagram #classicalpianist #instapianist #instamusic

15 likes - 15 comments
Just like nicotine, rushin' me, touching me
Suddenly, I’m a fiend and you’re all I need
All I need, yeah, you're all I need 
Hope you like it 💓💓💓
(Use headphones for better quality )
@camila_cabello #neverbethesame#piano #pianist #pianomusic #pianogram #keys #blackandwhite @piano.lover.x @brilliantmusicians @talented_musicians # #musicvideo #musician

Just like nicotine, rushin' me, touching me Suddenly, I’m a fiend and you’re all I need All I need, yeah, you're all I need Hope you like it 💓💓💓 (Use headphones for better quality ) @camila_cabello #neverbethesame #piano #pianist #pianomusic #pianogram #keys #blackandwhite @piano.lover.x @brilliantmusicians @talented_musicians # #musicvideo #musician

51 likes - 51 comments
♫
【演奏会のご案内】
10月10日(水)
ワンダフルコンサート リサイタルシリーズ Vol.1 
日時:2018年10月10日(水)《2回公演》 【昼の部】14:00〜、【夜の部】19:00〜
会場:ドルチェ・アーティスト・サロン(#ドルチェ楽器9F)
出演者:福田 淳(オーボエ)、大渕 雅子(ピアノ)
【プログラム】順不同
・3つのロマンスOp.94  R.シューマン
・オーボエとピアノのためのソナタFP.185  F.プーランク
・序奏、主題と変奏 ヘ長調Op.102 J.N.フンメル(昼の部のみ)
・忠実な音楽の師~オーボエ・ソナタ イ短調TWV 41:a3  C.P.テレマン(夜の部のみ)
・演奏会用独奏曲第一番 C.コリン(夜の部のみ)
【チケット】※好評発売中
全席自由(各回) 1,500円(当日500円増)
【チケットのご予約・お問い合わせ】
#Shionチケットセンター TEL:0800-919-5508
(土・日・祝を除く10:00~17:30)
主催:#公益社団法人 #大阪市音楽団 
後援:#大阪市教育委員会 
協力:#株式会社ドルチェ
#ドルチェ楽器 #pianist #大渕雅子 #伴奏 #oboeconcerto

♫ 【演奏会のご案内】 10月10日(水) ワンダフルコンサート リサイタルシリーズ Vol.1 日時:2018年10月10日(水)《2回公演》 【昼の部】14:00〜、【夜の部】19:00〜 会場:ドルチェ・アーティスト・サロン(#ドルチェ楽器9F) 出演者:福田 淳(オーボエ)、大渕 雅子(ピアノ) 【プログラム】順不同 ・3つのロマンスOp.94 R.シューマン ・オーボエとピアノのためのソナタFP.185 F.プーランク ・序奏、主題と変奏 ヘ長調Op.102 J.N.フンメル(昼の部のみ) ・忠実な音楽の師~オーボエ・ソナタ イ短調TWV 41:a3 C.P.テレマン(夜の部のみ) ・演奏会用独奏曲第一番 C.コリン(夜の部のみ) 【チケット】※好評発売中 全席自由(各回) 1,500円(当日500円増) 【チケットのご予約・お問い合わせ】 #Shionチケットセンター TEL:0800-919-5508 (土・日・祝を除く10:00~17:30) 主催:#公益社団法人 #大阪市音楽団 後援:#大阪市教育委員会 協力:#株式会社ドルチェ #ドルチェ楽器 #pianist #大渕雅子 #伴奏 #oboeconcerto

14 likes - 14 comments
Burn,
Let it all burn,
This hurricane is chasing us all underground. ☠@30secondstomars
#thirtysecondstomars #cover #pianocover #artist #pianist #30secondstomars

Burn, Let it all burn, This hurricane is chasing us all underground. ☠@30secondstomars #thirtysecondstomars #cover #pianocover #artist #pianist #30secondstomars

33 likes - 33 comments
Da série old times... Evanescence - Made of Stone 💜💙😄🌷🌹🌸🍀😘🎹🎧🎤🎺🎻🎷🎸🎵🎼🎶😉💞😍💚💛😃❤😎🖤💜💙😚🤘❣❣❣ 📽: @evparadise 
#evanescence #amylee #jenmajura #synthesis #metal #rock #rocknroll #lithium #goddess #rockqueen #rockwoman #pianist #piano #amyleefan #fallenera #theopendoorEra #EvanescenceEra #Band #SynthesisEra #synthesislive #synthesistour #guitarist #violin #jenmajuraofficial #evanescencetour #live #lindseystirling

Da série old times... Evanescence - Made of Stone 💜💙😄🌷🌹🌸🍀😘🎹🎧🎤🎺🎻🎷🎸🎵🎼🎶😉💞😍💚💛😃❤😎🖤💜💙😚🤘❣❣❣ 📽: @evparadise #evanescence #amylee #jenmajura #synthesis #metal #rock #rocknroll #lithium #goddess #rockqueen #rockwoman #pianist #piano #amyleefan #fallenera #theopendoorEra #EvanescenceEra #Band #SynthesisEra #synthesislive #synthesistour #guitarist #violin #jenmajuraofficial #evanescencetour #live #lindseystirling

44 likes - 44 comments
Christine or “Chris”? That’s essentially the question at the heart of Christine and the Queens’ second album. In one form or another, it’s also a question that Héloïse Letissier, the French singer/songwriter/producer behind the synth-pop project, often hears as someone who identifies as pansexual. The answer tends to be complex, but Letissier doesn’t attempt to clarify anything over the album’s 11 tracks. Chris is instead dedicated to exploring the in-between: in between machismo and femininity; self-perception and outer-perception; tender, fragile love and raw, unabashed sex. It’s a refreshing, empowering record that embraces finding identity in a lack thereof. 
While the album sports some stellar production and contagiously danceable jams it particularly stands out thanks to Letissier’s continuously sharp and engrossing lyricism. The first two tracks, “Comme si” and “Girlfriend,” reel you in with their bold declarations of love without shame or societal hangups. “I am done with belonging,” Letissier declares in the former, while in the latter she describes coming home sweating from the night before. Then there’s “Damn (what must a woman do),” a hot-and-bothered banger where “raunchy” only begins to describe its contents.
Steamy love songs aside, Letissier also flexes her storytelling muscles to cover a range of topics, from Springsteen-esque workingman’s anthems (“5 Dollars”) to honest questionings of faith (“Doesn’t Matter”). On highlight “The Walker,” she sings from the perspective of someone dealing with the physical and emotional toll of domestic violence. With haunting lines like “A swollen eye is four days/Of curious calm, snow in May,” there won’t be a dry eye on the dance floor when CATQ break this one out on tour. 
Though the album loses steam in the second half, the songs at the front end are more than enough to make Chris one of the better pop albums this year. It’s certainly graphic at times, but Letissier never seems like she is playing for shock value; rather, she’s simply a queer woman being honest about herself, speaking up, and putting unfair gender perceptions on blast. That fact alone is worth dancing to.

Christine or “Chris”? That’s essentially the question at the heart of Christine and the Queens’ second album. In one form or another, it’s also a question that Héloïse Letissier, the French singer/songwriter/producer behind the synth-pop project, often hears as someone who identifies as pansexual. The answer tends to be complex, but Letissier doesn’t attempt to clarify anything over the album’s 11 tracks. Chris is instead dedicated to exploring the in-between: in between machismo and femininity; self-perception and outer-perception; tender, fragile love and raw, unabashed sex. It’s a refreshing, empowering record that embraces finding identity in a lack thereof.  While the album sports some stellar production and contagiously danceable jams it particularly stands out thanks to Letissier’s continuously sharp and engrossing lyricism. The first two tracks, “Comme si” and “Girlfriend,” reel you in with their bold declarations of love without shame or societal hangups. “I am done with belonging,” Letissier declares in the former, while in the latter she describes coming home sweating from the night before. Then there’s “Damn (what must a woman do),” a hot-and-bothered banger where “raunchy” only begins to describe its contents. Steamy love songs aside, Letissier also flexes her storytelling muscles to cover a range of topics, from Springsteen-esque workingman’s anthems (“5 Dollars”) to honest questionings of faith (“Doesn’t Matter”). On highlight “The Walker,” she sings from the perspective of someone dealing with the physical and emotional toll of domestic violence. With haunting lines like “A swollen eye is four days/Of curious calm, snow in May,” there won’t be a dry eye on the dance floor when CATQ break this one out on tour.  Though the album loses steam in the second half, the songs at the front end are more than enough to make Chris one of the better pop albums this year. It’s certainly graphic at times, but Letissier never seems like she is playing for shock value; rather, she’s simply a queer woman being honest about herself, speaking up, and putting unfair gender perceptions on blast. That fact alone is worth dancing to.

92 likes - 92 comments
Антуанетта играла, а я плакала, восхитительно играла!!!! Нет слов, чтоб сказать как проникновенно. Спасибо! 🙏❤️
@bouquetkiev_stage

Антуанетта играла, а я плакала, восхитительно играла!!!! Нет слов, чтоб сказать как проникновенно. Спасибо! 🙏❤️ @bouquetkiev_stage

295 likes - 295 comments
Few people/things have had the impact Mariah Carey's Butterfly album has had on my life. I look back at the boy who gleefully bought this album without knowing how important it would be to his adolescence. I've never been the most open person, but during that time I kept everything inside (doubts, insecurities, fears). In my teens, my differences made me feel isolated, as there was no one whom could understand me. I've always longed for the feeling that someone would

Few people/things have had the impact Mariah Carey's Butterfly album has had on my life. I look back at the boy who gleefully bought this album without knowing how important it would be to his adolescence. I've never been the most open person, but during that time I kept everything inside (doubts, insecurities, fears). In my teens, my differences made me feel isolated, as there was no one whom could understand me. I've always longed for the feeling that someone would "get" me, and accept me. I heard the song "Outside," and I was immediately left in tears (the song still makes me cry without fail). Carey had written the song about not fitting in, but in her case it was due to her multi-racial background. Every word had rung true to me. It was the first time I'd felt like someone understood what I had been feeling for the longest time. The album was filled with other songs such as "Breakdown," "Close My Eyes," and "Fly Away," which spoke deeply to me. The title track spoke about letting something/someone go. As someone who came from a rather dysfunctional upbringing, letting go has always been challenging for me. I listened to "Butterfly" repeatedly in 2017, as two amazing friends were leaving for a new city. The song gave me strength, and at times was just the soundtrack to my tears as the date approached. Thank you Mariah Carey for being brave enough to bare your soul with us. You'll never know how important this album was/is to my life. You gave me a best friend when I needed it most. You gave me a record that I will love until my last breath. Thank you, @mariahcarey !

231 likes - 231 comments
@tonibraxton inculcates her latest offering with songs addressing matters of the heart. SEX AND CIGARETTES is a welcomed return to form for Ms. Braxton, but falters due to a brisk trek. 
The guitar and strings laden first single,

@tonibraxton inculcates her latest offering with songs addressing matters of the heart. SEX AND CIGARETTES is a welcomed return to form for Ms. Braxton, but falters due to a brisk trek. The guitar and strings laden first single, "Deadwood" finds Braxton singing about heartbreak with a soulful conviction that had been missing from previous efforts. Doubling as the opening track it's a declaration of new found boldness. The album finds Braxton gifting listeners with her career best vocals over smartly-crafted beats that accentuate the smooth, buttery tone of her voice. The record sports a skimp 8 song tracklist, but it's definitely all killer, no filler here. The title track finds her confronting a cheating partner. She handles the verses with delicate intimacy, and the final stretch morphs into an anthem for scorned lovers. "If you can't be with the one you really, truly love," becomes the central statement of "Long As I Live," as the songstress is faced with a love that has moved on. Braxton is a vocal powerhouse, but her strength doesn't come from high notes or vocal runs. What has always made the diva standout is how the low tones of her voice lend to bittersweet heartbreak. The album is well aware of where her power lies as the lamenting "Coping," the defiant "Sorry," and "Missing" give us classic Braxton-branded heart ache. "My Heart" is a massive sing-along hit waiting to happen. "I can be right there when you want me to / If we’re a million miles apart / I’d give you every part of me that I could / But the one thing I can’t give you…is my heart," Braxton coos over an acoustic accompaniment about self preservation. SEX AND CIGARETTES has a downside, and it's the meager runtime clocking in at just under 31-minutes. When you finally get fully immersed in her story, it's already time for the credits. The record has some of the best work of her career, but leaves the listener wanting, nay craving more.

237 likes - 237 comments
While the album's cover depicts a utopian vision as we are embraced by not one, but three Mariahs, Memoirs of an Imperfect Angel is one of her most divisive efforts. Carey working with just a single production team (something quite rare for an artist of her stature) gives the record stylistic cohesion, a unified message, and can be a tad too predictable. 
Her voice, with its many peaks and valleys, has always been her calling card. But Memoirs of an Imperfect Angel,’ her 12th album, presents her as more of an emotive vocalist and not just a singer with an impressive range. Make that Mariah Carey, song stylist.
Memoirs is a throwback to the simmering R&B of her earlier work, particularly 1997’s Butterfly. Always fond of the big ballads, Carey elevates the sensual slow jam to an art form here.
The album is vintage Mariah. It reminds you that the current crop of superstars can’t beat Carey at her own game.
Carey aggressively pursued hip-hop collaborations in the late ’90s, but here she’s essentially solo and in the capable hands of writers-producers The-Dream and Tricky Stewart. To their credit, The-Dream and Stewart keep the songs mostly uncluttered, and many of them trail off into languid fade-outs, suggesting Carey is certainly not in a hurry.
Starting with “Betcha Gon’ Know (the Prologue)’’ - “Welcome to a day of my life,’’ she begins - Carey introduces the album on a song cycle about love’s pitfalls. When she breaks from the album’s mid-tempos, Carey steps out with sass, especially on the first single, “Obsessed.

While the album's cover depicts a utopian vision as we are embraced by not one, but three Mariahs, Memoirs of an Imperfect Angel is one of her most divisive efforts. Carey working with just a single production team (something quite rare for an artist of her stature) gives the record stylistic cohesion, a unified message, and can be a tad too predictable. Her voice, with its many peaks and valleys, has always been her calling card. But Memoirs of an Imperfect Angel,’ her 12th album, presents her as more of an emotive vocalist and not just a singer with an impressive range. Make that Mariah Carey, song stylist. Memoirs is a throwback to the simmering R&B of her earlier work, particularly 1997’s Butterfly. Always fond of the big ballads, Carey elevates the sensual slow jam to an art form here. The album is vintage Mariah. It reminds you that the current crop of superstars can’t beat Carey at her own game. Carey aggressively pursued hip-hop collaborations in the late ’90s, but here she’s essentially solo and in the capable hands of writers-producers The-Dream and Tricky Stewart. To their credit, The-Dream and Stewart keep the songs mostly uncluttered, and many of them trail off into languid fade-outs, suggesting Carey is certainly not in a hurry. Starting with “Betcha Gon’ Know (the Prologue)’’ - “Welcome to a day of my life,’’ she begins - Carey introduces the album on a song cycle about love’s pitfalls. When she breaks from the album’s mid-tempos, Carey steps out with sass, especially on the first single, “Obsessed." She cops some welcome attitude on “Up Out My Face,’’ issuing a kiss-off: “I thought we had something special/ That we had something good/ But I should’ve had another mechanic under my hood.’’ Those tracks are left turns on a record that’s otherwise in love with the richness of Carey’s voice. She’s downright delectable on “The Impossible’’ and “Candy Bling,’’ both couched in lush harmonies with Carey breathlessly gliding over the notes. Memoirs finds Carey in her comfort zone. The effort is an embrace of the R&B of years gone by, and while the production can at times comes off generic, it proves a bold step for the Songbird.

323 likes - 323 comments
Endearingly ditzy high-camp abounds on E=MC2. The very first notes of the album find Carey swooping around her famed whistle register, revelling in how high her voice can go, before metamorphosing into a synth whistle riff. Over the course of the album, Carey compares herself to ice cream, the lottery, a chandelier, Biggie and 2Pac, weed and her favourite jeans. On the disco bounce of

Endearingly ditzy high-camp abounds on E=MC2. The very first notes of the album find Carey swooping around her famed whistle register, revelling in how high her voice can go, before metamorphosing into a synth whistle riff. Over the course of the album, Carey compares herself to ice cream, the lottery, a chandelier, Biggie and 2Pac, weed and her favourite jeans. On the disco bounce of "OOC," she breaks into Italian, Spanish and French in the space of one verse for no discernible reason other than that she can (surely the very essence of divadom). Brilliantly, the music more than matches Carey's flights of fancy. E=MC2 finds Carey continuing down the hip-hop-inflected path she has pursued for the past decade - but in that time, hip-hop has come back to meet her. "I'm That Chick" hitches itself to R&B's current vogue for 4/4 beats, but takes more cues from disco than any other exponent of the trend: it could almost be a track from Carey's own early days. Carey's gift, though, is not just that she manages to balance embracing her silliest excesses with sincere displays of emotion, but that the two are inextricably linked. Her trademark high notes, for instance: the album opens with Carey parodying them, but when she rolls them out at the climax of the stunning closer "I Wish You Well," backed only by gospel choir and solo piano, their emotional impact is undeniable. Kissing off an ex-lover has never sounded so divinely ordained. Carey is on fine vocal form throughout E=MC2, whether belting out massive ballads ("Thanx 4 Nothin'") or layering her voice into a swooning bank of a hundred Mariahs ("I'll Be Lovin' U Long Time"). There are perhaps fewer vocal splashes than in her early days, and more nuanced brushstrokes, but that's not a bad thing, and the magnificent "Side Effects" finds Carey at the height of her powers. Over synths as slow as molasses, she intones some of the darkest lyrics of her career, a meditation on the long-term effects of an abusive relationship. When she sings, "Them other regularities, they can't compare with MC," it's hard not to agree.

404 likes - 404 comments
At the time of its release, Mariah Carey’s sophomore effort, Emotions, was considered a commercial disappointment, failing to reach the top of the charts and selling just half of what the singer’s blockbuster debut did. In his review, Rolling Stone’s Rob Tannenbaum deemed Mariah’s singing “far more impressive than expressive,” a criticism ostensibly borne out by the album’s titular lead single, on which she proclaims that she’s been “feeling emotions.” Not to put too blunt a point on it, she then tells us, rather than shows us: “I feel good, I feel nice!”
Critics like Tannenbaum routinely griped about Mariah’s reliance on vocal acrobatics, which, they claimed, kept audiences at a remove from her actual songs. Like that of Whitney Houston, to whom she was often compared, Mariah’s voice was indeed almost supernatural, a thing to marvel at from a distance. But the assertion that her music lacked expression, even at this early date in her career, is one that the songs themselves simply don’t bear out. The deliriously joyous “Emotions,” however broad its lyrics may seem, all but mandates a performance of the magnitude that Mariah delivers: Her object of desire has her feeling “intoxicated, flying high,” and though hers might be a literal vocal interpretation, it’s certainly an expressive one.
Soul is a quality that’s impossible to quantify; either someone has it or they don’t. Mariah’s critics claimed it was an essential ingredient that her songs lacked. Her mixed racial heritage was treated as a selling point, but her music was carefully calibrated for both pop and R&B audiences. Songs like “And You Don’t Remember” draw on gospel and Motown, but render those influences in the most palatable way possible. On the other hand, “If It’s Over,” a collaboration with Carole King, doesn’t water down its R&B bona fides with synthesized strings and bass, instead bolstering Mariah’s vocals with brass, Hammond organ, gospel harmonies—an unbridled throwback to the pop-soul hits of the ’60s and ’70s.
On Emotions, at least musically, she managed to strike a balance of soul and pop that’s not just technically impressive, but filled with undeniable, honest-to-god feeling.

At the time of its release, Mariah Carey’s sophomore effort, Emotions, was considered a commercial disappointment, failing to reach the top of the charts and selling just half of what the singer’s blockbuster debut did. In his review, Rolling Stone’s Rob Tannenbaum deemed Mariah’s singing “far more impressive than expressive,” a criticism ostensibly borne out by the album’s titular lead single, on which she proclaims that she’s been “feeling emotions.” Not to put too blunt a point on it, she then tells us, rather than shows us: “I feel good, I feel nice!” Critics like Tannenbaum routinely griped about Mariah’s reliance on vocal acrobatics, which, they claimed, kept audiences at a remove from her actual songs. Like that of Whitney Houston, to whom she was often compared, Mariah’s voice was indeed almost supernatural, a thing to marvel at from a distance. But the assertion that her music lacked expression, even at this early date in her career, is one that the songs themselves simply don’t bear out. The deliriously joyous “Emotions,” however broad its lyrics may seem, all but mandates a performance of the magnitude that Mariah delivers: Her object of desire has her feeling “intoxicated, flying high,” and though hers might be a literal vocal interpretation, it’s certainly an expressive one. Soul is a quality that’s impossible to quantify; either someone has it or they don’t. Mariah’s critics claimed it was an essential ingredient that her songs lacked. Her mixed racial heritage was treated as a selling point, but her music was carefully calibrated for both pop and R&B audiences. Songs like “And You Don’t Remember” draw on gospel and Motown, but render those influences in the most palatable way possible. On the other hand, “If It’s Over,” a collaboration with Carole King, doesn’t water down its R&B bona fides with synthesized strings and bass, instead bolstering Mariah’s vocals with brass, Hammond organ, gospel harmonies—an unbridled throwback to the pop-soul hits of the ’60s and ’70s. On Emotions, at least musically, she managed to strike a balance of soul and pop that’s not just technically impressive, but filled with undeniable, honest-to-god feeling.

510 likes - 510 comments
#tbt After a nearly five-year gap between albums, which saw Mariah Carey have twins, become a judge on American Idol, and endure injury - the diva returned with Me. I Am Mariah... The Elusive Chanteuse. Yes, it's a mouth full. Yes, it's two titles joined together by an ellipsis. However, you'd be foolish to dismiss the record as it stands as one of Ms. Carey's strongest.
The music reacts to Carey's fallow years in most every way it should. It returns her to the type of grand balladry, and formal melodies, that first made her a star. It's her most melodic, least-trendy album in memory - both moves that greatly flatter her.
Though the disc contains cameos from rappers like Nas and Wale, it has far fewer hip-hop inflections. Instead it stresses songs like the opening weeper

#tbt After a nearly five-year gap between albums, which saw Mariah Carey have twins, become a judge on American Idol, and endure injury - the diva returned with Me. I Am Mariah... The Elusive Chanteuse. Yes, it's a mouth full. Yes, it's two titles joined together by an ellipsis. However, you'd be foolish to dismiss the record as it stands as one of Ms. Carey's strongest. The music reacts to Carey's fallow years in most every way it should. It returns her to the type of grand balladry, and formal melodies, that first made her a star. It's her most melodic, least-trendy album in memory - both moves that greatly flatter her. Though the disc contains cameos from rappers like Nas and Wale, it has far fewer hip-hop inflections. Instead it stresses songs like the opening weeper "Cry," an inspired throw-back to initial hits like "Vision of Love." Accompanied primarily by piano, Carey unfurls the full range of her instrument, something she had too often scaled back of late to suit songs over-indebted to their beats. The result lets her lean into the song's drama, which she engages completely. That's not to say that Carey has abandoned more up-beat material. "Meteorite," which starts out quoting Andy Warhol's "15 minutes of fame" line, shoots us back to the days of Studio 54, with a spiraling, string-drenched disco beat. The pre-release single "#Beautiful," with guest star Miguel, has a classic R&B melody, boosted by a looming backbeat. Whether in more elegant ballads, or most assertive R&B songs, the new tunes give Carey more to play with than usual. Learning how to bridge trendy music with the classic type of pop/R&B audiences expect from her. As on many discs, Carey sticks in a famous cover. Here she makes a smart choice - George Michael's "One More Try." Backed by a gospel organ and choir, Carey dances over the notes, wringing every ripple out of the tune. She even tailors those endless melismas - using them to mine emotion rather than to impress. Contrary to its title, the new album may be Carey's least elusive work. Rarely has she made her talent more clear.

480 likes - 480 comments